Apr 29

It Was 20 Years Ago Today …

In the spring of 1992, I was finishing my first year at USC (having transferred from Cal State Fullerton the previous fall).

Specifically, however, on Wednesday, April 29, 1992, I worked at my job as a teller at the First Interstate Bank branch in Claremont, Calif. Why Claremont? Well, my college girlfriend attended one of the Claremont Colleges, and though I had an off-campus apartment at the corner of Severance and Adams near the USC campus, I tended to spend a lot of time with her.

When I left my shift that afternoon, I headed over to her dorm to study for my first final of the spring semester, which was scheduled for 8 a.m. Thursday morning. The plan was to wait for traffic to die down and then head out to USC that evening to grab a decent night’s sleep before the test.

As most of you know, that plan was torn to shreds by 12 jurors in a Simi Valley courtroom and the enraged reaction of thousands of Los Angeles residents — that April 29 will forever be known as the first day of the 1992 L.A. Riots.

***

When I arrived at the dorm, many of the young women who lived there were watching a TV in a rec room, as the local news covered initial reactions to the late afternoon verdict. Many of us in the room were as stunned as those who were being interviewed on TV. As the coverage transitioned to various outbreaks of protest, many of us in the room voiced our agreement with those protests. Then, the helicopters started flying over Florence and Normandie, and everything changed. Reginald Denny … Damian “Football” Williams … burning, burning, burning. And you knew this could really get out of hand.

The front page of the April 30, 1992 edition of the L.A. Times.

As we moved into my girlfriend’s room to continue watching the news coverage across all channels, things got more and more violent, as the protests moved from voice to action. And, once the idea of public mayhem became conceivable, it sure didn’t hurt that many people who lived outside the confines of the law to begin with took advantage of the situation and exacerbated things even further. If you were alive and in Southern California during this time, you know how it made you feel, you know who you blame, you know what you think, so I won’t preach to you. But the truth of the L.A. Riots — why they happened, why they were so out of control, who was to blame, what’s changed since — is obviously more multifaceted than simple statements like “racist cops beat black man and walk” or “decades of police brutality come home to roost” or “local criminals take advantage of widespread lawlessness to wreak havoc on city.”

What I will tell you is that I was still trying to study for that final that night, all while watching the TV coverage and listening to the third game of the Lakers’ playoff series against the Portland Trailblazers on my Walkman, since there was no cable TV in the dorm rooms. The game was taking place inside the Great Western Forum in Inglewood (near the epicenter of the riots). Blissfully unaware of what was occurring outside (in an era before cell phones — let alone smartphones and social media), fans watched the underdog Lakers upset the Blazers in overtime (remember, this was the spring after Magic Johnson retired after testing HIV positive) to extend a first-round series. The only clue as to what was happening, I recall, was late in the fourth quarter, when legendary Laker announcer Chick Hearn told listeners/viewers that the Forum message board was flashing that no traffic after the game would be allowed to head east toward the 110 freeway. “All traffic must head west toward the 405. That’s a strange message, but I am only reporting what I see,” I remember Hearn saying. The dissonance between listening to that game and keeping an eye on the violence tearing apart the city on television was, suffice it to say, shocking.

During all of this violence, the news had reported that the USC campus was unscathed by rioters, that the area just around the campus was still reasonably quiet in the center of this storm. And, by 10:30 p.m., there was no announcement from the school on a postponement of finals that were scheduled for Thursday. Nor by 11:30 … or 12:30 a.m. Common sense told me that there was no way the school could function normally on Thursday, but I wasn’t going to risk a grade. So I tried going to sleep, but to no avail with what was happening on TV. By 4 a.m., I tried calling the general phone number for campus to see if any announcement had been made — school closure announcements had been part of the news coverage all night, but there was still no word from USC — but got no answer. I truly had no choice but to get in my car and drive straight toward the campus.

The corner of Florence and Normandie near sundown on April 29, 1992.

At about 5:20 a.m., I had just passed the 710 freeway, driving west on the 10, when a reporter on KFWB finally said those words I’d been waiting so long for: “USC has announced that final exams scheduled for today and Friday are postponed indefinitely.” While definitely irritated that the announcement had come only at that moment, what I actually really was at that moment was exhausted. So, I made a decision that could have been one of the worst I’d ever made, but instead turned out only to be one of the most interesting: I just wanted to go to sleep and I was about 10-12 minutes away from my apartment building’s underground parking garage and my bed. I chose to drive into the middle of the L.A. Riots.

***

I exited the freeway at Hoover. At the traffic signal, there was (and is again today) a mini-mall with an auto stereo store as it’s hub. The entire center was ablaze. There was a lone LAFD firefighter trying to fight it with a garden hose — while most remember how many in the LAPD basically threw up their hands at the rioters in a dereliction of duty,  fewer recall the undermanned LAFD trying valiantly to fight hundreds of fires. I could feel the heat from the blaze through my car window. I turned and headed south on Hoover as fast as I could, reaching the light at Adams to find the Pizza Hut on the corner had turned to a pile of smoldering ashes. I turned left and, less than a block later, reached my apartment, parking my car underground and taking the elevator to my place. I crashed on my bed and didn’t wake up for five hours.

When I arose and flipped on the TV, I saw that looting had — for the most part — taken the place of violence. The rioters had simply added a step to their previous activities: they were now taking everything they could out of these stores before setting them on fire. Still, around my apartment, things were quiet. There was no traffic on the streets, and almost no people to be found anywhere. I was starving and made, in retrospect, another odd decision: I called USC to find out if any of the dining options on campus were open. I was told by the operator that EVK was open, but that I’d need my USC ID to be allowed on campus. Fine! I need to eat! I mean, sure, less than 24 hours before, I’d watched Reginald Denny get pulled out of a semi by a mob and have his head caved in. But I’d be fine driving a few blocks to USC in my uber-secure Hyundai Excel. (I am only now realizing how silly these choices were, but I hope they make for an entertaining story)

I got to campus (which was basically an armed fortress at that point, with most driveway gates closed and USC’s security team — known on campus as DPS — on patrol at each walking entrance) and to EVK, parking at a meter right outside. If you went to USC in the early 1990s, you know just how rare that opportunity was! As I walked into the dining hall, I turned and saw what I now recall as an almost cartoonish scene, reminiscent of an old Bugs Bunny cartoon, where he’s playing baseball against the Giants, who are hitting him so hard that they’re basically going around the bases in a conga line, one after another. Well, what looked like a conga line of parents in BMWs and Mercedeses were lined up outside of the entrance to the dorm, as one by one, girls would come running out of the front door with bags, throw them into the car, dive in and speed away.

After eating, I finally decided I might want to hit the road back to the safer confines of Claremont, myself. Heading up Hoover back to the freeway, that ashen former Pizza Hut was now at the center of a looting maelstrom. The minimall surrounding the Pizza Hut was home to a Payless Shoe Source and other small businesses. Dozens of people were running in and out of Payless, carting boxes of (free) $11 shoes with them. As I headed north on Hoover past the light at Adams, there was a family of four walking across the street, each member carrying at least three boxes, with the father (I can only assume) having at least four boxes stacked on each shoulder. Apparently, in whatever world they were living in at that moment, I was supposed to stop for them as they jaywalked their children who were learning how to steal things. They were stunned as I sped past them, forcing them to stop quickly — and even to drop a couple boxes of shoes in the middle of Hoover. But there was no way in hell — despite my previous choices — that I was stopping before I was on that freeway and headed out of town.

By Friday, the newspaper's coverage had caught up with the news.

Once I got up on the 10, I saw a stunning scene on a brilliantly sunny Thursday: plumes of smoke from burning buildings in every direction. It looked like what I imagined a war zone would look like. 40 minutes later, I was back in Claremont, safely watching on television as the city unraveled even further. My main concern at that point was that my girlfriend’s family — who lived on the edges of Hancock Park, near Koreatown — was safe, and that the USC campus would remain unharmed.

***

My girlfriend and I returned to Los Angeles on Sunday to check in on her mother and step-father. We exited the 101 at Vermont and dropped down to 3rd Street, heading west. The destruction along that stretch between Vermont and Western was indescribable. I remember being so embarrassed for L.A., a city I love, that is my home. Those days of violence and lawlessness made it so easy for those media outlets across America that like to find things to hate about my city to mock it, flog it, run it down. And, in this case, with how broken the city clearly was (no matter who was to blame), there was no way to argue against it.

One light shining in the darkness was the fact that not only was USC’s campus unharmed, but that many of those who lived in the community around it rallied to make sure it went unharmed. USC’s investment in its local community —  both financially and emotionally — is well known among those affiliated with the school. But to see the respect it engendered in this worst of times was rewarding. And to see the community and the school continuing and expanding that relationship two decades into the future is even more enjoyable. While those not affiliated with USC find it easy to mock the school’s location — often in lazy, ill-informed, racially-coded language — those of us who are Trojans or have some connection with the university understand how close-knit the relationship between the university and the community is.

Twenty years on, the L.A. Riots remain a defining moment in my life and in the lives of many Angelenos. While our city is, by no means, perfect, I like to believe it’s improved in the years since. And, while it would be dimwitted to say something like this could never happen again, you hope that we’re better equipped to handle the types of flashpoints that could cause another bout of civil unrest.

Rodney King's famous plea made the cover of the next week's Time.

If you’re interested in reading more takes on the anniversary of the riots, here are some links to a few of the better stories I’ve read this week:

Christopher Wallace in The Atlantic

Hector Tobar on George Ramos and East L.A. (This one hit home when I read it yesterday. Ramos was my news reporting teacher in spring 1992, one of the best teachers I had at USC. If you had Ramos in J-school at USC, you know how much he hated bullshit and loved L.A. You also know that you covered a community beat during your semester with him. I’m still very proud to say that he told me late that semester that he assigned me to Compton because he thought I was up to the challenge.)

Patt Morrison in the L.A. Times

Photographer Kirk McCoy’s “then-and-now” photo essay in the L.A. Times

Two Gang Members Recall the Riots, as part of the Daily Beast’s excellent set of coverage.

Apr 28

A Quick Bruce Review

A set list and some quick notes for fans (apologies up front for the so-so photo quality – unretouched iPhone images!):

Bruce Springsteen & the E Street Band at the L.A. Sports Arena, April 27, 2012

  • For You (solo acoustic): Bringing a group of extended family members out for a look at the stage and to take a couple pictures shortly after 7:30, Bruce grabbed an acoustic guitar and played to a half-full house. A really special performance for the early comers.

    Bruce's surprise appearance on stage with family members ended with him performing "For You" to about 7,000 fans an hour before the regular set.

  • No Surrender: Surprise opener with the house lights up.
  • We Take Care Of Our Own: The band owns this song already.
  • Wrecking Ball: The best review I can give about these two excellent songs from “Wrecking Ball” between “No Surrender” and “Badlands” was that, looking back, there was no drop off or lull in energy or power from the band or fans. They fit into the oeuvre rather nicely.
  • Badlands: It never, EVER fails. “For the ones who had a notion, a notion deep inside, that it ain’t no sin to be glad you’re alive …”
  • Death To My Hometown (with Tom Morello): My favorite song on the new record boosted even higher with the appearance of Morello
  • My City Of Ruins: Wow, he’s really turned this one from somber to powerful.
  • Does This Bus Stop 82nd Street?: A nice surprise and a fun diversion.
  • Jack Of All Trades (with Tom Morello): What was I saying about somber?
  • Youngstown: Nils Lofgren absolutely killed his guitar solo. Killed.
  • Prove It All Night: Always a personal favorite.
  • Darkness On The Edge Of Town: Probably my favorite selection of the night, since it’sone of my top 10 Bruce songs of all time and not a set regular.
  • Easy Money: Bruce and Patti duetting. Good times.
  • Waiting On A Sunny Day: The super cute four-year old girl in the glasses and the headband/earplugs that she was not going to lose no matter what stole many hearts with her stage side singing with Bruce.
  • Apollo Medley (The Way You Do The Things You Do/834-5769): “You always have to have some soul in your pocket.” I’d say they have more than a pocketful.

    Springsteen drops backwards into the pit to begin his crowdsurf back to the stage during the "Apollo Medley."

  • Racing In The Street: I think they broke this song for me last night. There is no way I’ll ever see a better performance of it. If I believed in god, I’d say Roy Bittan had a little bit of him/her in his fingertips last night.
  • The Rising: This is how I choose to “Never Forget” 9/11.
  • Lonesome Day: The horn arrangement really brought some new life here.
  • We Are Alive: Bruce’s talk about needing one more song for “Wrecking Ball” and trying to find a way for the dead to speak to the living was poignant.
  • The Ghost Of Tom Joad (with Tom Morello): Though many of us have seen this combo of players and song before, Morello’s singing and soloing gets me every time.
  • Land Of Hope And Dreams (with Tom Morello): A reliable set closer.
  • Rocky Ground: While I love the idea behind this song, something has yet to connect with me. And, even after seeing it live, I’m still kind of stuck.
  • Bobby Jean: Loving the fact that this show was a little “Born In The USA” and “Darkness” heavy on the older stuff.
  • Born To Run: The crowd seemed especially into it on this night for some reason.
  • Dancing In The Dark: Bruce has done a great job taking this song and resurrecting it, to the dismay of some uptight superfans.

    Saluting the Big Man, Clarence Clemons.

  • Tenth Avenue Freeze-Out (with Tom Morello): “When the change was made uptown and the Big Man joined the band …” Two-plus minutes of standing ovation from the entire Sports Arena.
Apr 25

3 Days, 24 Sets, 1 Unforgettable First Coachella

A week ago Sunday night, I was wrapping up my first ever trip to the Coachella music festival. Not for a lack of wanting, I’d just never been able to make the trip out for the much-beloved and incredibly hyped annual spring event in Indio. After years of hearing stories from friends about the music, the scene, the campers, the house parties … and on and on … I finally made it out for the 2012 edition – the first two feature two full weekends of music.

Coachella Vista

The view from inside the masses near the main stage during Coachella 2012's Weekend 1.

Before discussing all the great music I heard over those three days, one word of advice for anyone who’s never been but who may be considering it: go. It’s a truly gratifying event on many levels – even considering all of the different issues you have to grapple with. “Security,” idiots, Heineken’s near total-ownership of the beer concession – all of these things (and more) pale in comparison to the joy of the music and the excitement of sharing the communal experience when an act is truly connecting with an audience.

Here goes!

Day 1 – Something Old, Something New, Something Borrowed, Something Blue

My sets: Kendrick Lamar, James, Gary Clark Jr., Grouplove, Arctic Monkeys, Madness, Pulp, The Black Keys

Friday night at Coachella 2012

Madness' throwback performance drew a great crowd to the Outdoor stage on Friday night.

 Set of the Day, Senior Division: Madness transported me back 30 years. I felt like an 11-year old in 1982 all over again. The legendary Brits pumped through a rollicking set near sundown, hitting all the high spots of their great ska collection. The crowd that joined them at the Outdoor stage was the first I saw all day that had a median age somewhere near mine – and that crowd was throwing itself one hell of a party throughout the set!

Set of the Day, Period: Hands down, the Black Keys were the highlight of a frigid and sometimes wet Friday. This was my first time seeing the band, and from the opening strains of “Howlin’ for You” to the last notes of “I Got Mine,” this dynamic duo left you in awe of the fact that – for the most part – it was possible just two people could make this loud a noise. Joined only intermittently by backing keyboards and bass, their set (here, less a couple of songs not currently available on Spotify and the full set listing here) was literally drawing droves of people in and closer to the stage throughout. The music was simply magnetic.

Main stage, Coachella 2012 night one

It's hard to imagine all that sound coming from two guys, until you see The Black Keys do it live.

The Advertising Generation Wins: Grouplove’s late afternoon set at the Mojave tent was fun. The L.A.-based band drew a young crowd with their eclectic pop sound. But when they ripped into their hit, “Tongue Tied,” which gained momentum from an Apple commercial late last year, it was sociologically mesmerizing. My, how the music business has changed over the years. Bands now USE commercial endorsements to gain notoriety rather than shunning advertisers to maintain cred. And it works. For Grouplove, it’s clear that borrowing the Apple brand’s popularity and credibility has only been a boon.

Wow of the Day: Austin-based guitarist Gary Clark Jr. He’s often given the “blues guitar” tag, but that sells him way short. He’s only got a four-song EP out, but his debut album, rumored to be arriving this fall, is now in my “can’t wait” category. Incredible guitar work, knowing vocals. And the man can hold his own mixing Hendrix into one of his own original bluesy songs.

Friday Night, Weekend 1

Jarvis Cocker owned the Main stage on Friday.

 The Rest: Compton’s Kendrick Lamar, one of Dr. Dre’s newest proteges (he popped up for a performance during the Dre/Snoop set on Sunday), impressed with his MC skills. More importantly, after braving the horror of Friday’s wholly mismanaged security when trying to enter the grounds, his performance of P&P (pertinent Tweet: You know, I’m goin’ thru sumpin in life, but pu$$y and Patron make it feel aight! Indeed, #KendrickLamar, indeed. #coachella) while we were hanging in the beer garden helped turn the day around right at the start.

Main stage, mid-afternoon

Kendrick Lamar's early Friday show helped set the tone for the weekend.

90s-era Brit rockers James were in fine form during an afternoon set, with the highlight being – predictably – a rousing performance of “Laid” with about 50 or so fans joining them on stage. Arctic Monkeys put in a solid late afternoon set, reminding folks why they were among the “next big things” in the middle of the last decade. Last, but certainly far from least, Jarvis Cocker led mid-90s Britpop giants Pulp through a rousing set in the spot just before The Black Keys. While most were waiting for the set-closing (and, honestly, show-stopping) “Common People” for most of an hour, Cocker – now a near doppelganger for former Eurythmic Dave Stewart – reminded those who remember why he was one of that decade’s top front men.

Day 2 – A Dash of America, A Heap of Britain

My sets: The Black Lips, Childish Gambino, Grace Potter & the Nocturnals, Kaiser Chiefs, Noel Gallagher’s High Flying Birds, Squeeze, Kasabian, Radiohead

Saturday night at the Mojave tent

Kasabian repeatedly had the Mojave tent about to burst at the seams.

 Set of the Day: Kasabian absolutely annihilated the Mojave tent in the middle of the evening. Mentally lumped in by me among other solid mid-decade acts from the 2000s (appropriately, two others from that particular lump – Kaiser Chiefs and The Hives – were also part of my initial Coachella experience), I’d heard of their reputation as a stellar live band. Well, to say they brought the 10 songs they played to life on this Saturday night would be a major understatement. The group’s swagger was matched only by the power of its sound, and during songs like “Club Foot,” “LSF” and the closing “Fire,”they repeatedly sent the overflowing crowd bounding through the tent. A truly great live performance.

El Coyote

Sporting my El Coyote hat at Kasabian! The Manson murder tie in = complete!

Song of the Day: Grace Potter & the Nocturnals’ “Medicine” simply overwhelmed a mid-afternoon crowd at the Outdoor stage. The musicianship and Potter’s strutting stage presence were on full display. Fans of pure, old school rock have to be excited about the Vermont-born Potter’s emergence.

Shock of the Day: Childish Gambino, a/k/a Donald Glover (of NBC “Community” fame), may be a better rapper than a TV actor. A favorite as Troy on the NBC sitcom, Glover’s hip-hop name came straight the online Wu-Tang name generator – something you might expect from a comedian (FYI, my Wu-Tang name: Vizual Magician. Find out yours here: Wu-Tang Name Generator). However, his MC skills, and the fusion of music he chooses to back up those skills (when’s the last time you saw a solo violinist on stage at a hip-hop show?), belie anyone’s thoughts that this second career may be a joke. He united a large Saturday afternoon crowd on the main stage with witty lyrics, hard-core rap sensibility and great showmanship – even though he performed in a walking boot with a broken foot.

Sad of the Day: Radiohead. Whether it was bad timing for me, a performance that just didn’t reach the size of this particular crowd or, blasphemously, just that they weren’t all that good, Radiohead’s set was a disappointment. And if I could, I’d grab two or three of the dozens of concert-goers who streamed away from the mainstage in the 45 minutes preceding my departure to back me up. Though I’d felt this since early in the evening on Friday, my reaction to Radiohead’s performance – a band I truly enjoy and “get,” though I believe Thom Yorke maybe getting too deep inside his own brain rather often of late – confirmed it: at a festival like Coachella, you really have to follow your own heart and your own mood to make the most out of it. The night before, I’d been looking forward to seeing Mazzy Star. But when it came time for their set, I just wasn’t in the mode for their brand of music. Not that I don’t still really like Mazzy Star – it just wasn’t right for me at that moment. And, unfortunately, Radiohead – at best – fell into that category on this Saturday night.
Saturday afternoon at the Mojave tent.

Georgia's The Black Lips were thoroughly entertaining and definitely rocking.

 The Rest: The day started with The Black Lips out of Georgia. A truly entertaining quartet of southerners, they impressed with their range away from their punk roots, hitting on some early-60s pop beats and some country twang as well. Kaiser Chiefs were unspectactular in a main-stage appearance. It was great to hear the always entertaining “I Predict A Riot” live, but there wasn’t much else to report.

Sunset show at the Main stage.

Noel Gallagher's High Flying Birds took advantage of a twilight set time on Saturday.

Noel Gallagher’s High Flying Birds (the Oasis songwriter’s new act) was also solid with a sunset slot on the main stage. While Gallagher’s new material is as strong as his stage presence is not, it was not surprising that the highlight of his set was the closing sing-along to “Don’t Look Back in Anger,”the mid-90s Oasis classic. It’s a personal favorite and, therefore, was likely more memorable for me than most.

Saturday evening at Mojave tent.

Squeeze was surprisingly strong, harkening back to their 80s heyday.

Finally, Squeeze definitely put in a performance to rival fellow-80s stars Madness from the night before. Sounding incredibly tight, and with impeccable vocals by Glenn Tillbrook that made you wonder how his voice is still so on-point after so many years, the Englishmen ripped through a series of hits, including “Tempted” and “Black Coffee in Bed,” much to the glee of a surprisingly mixed-age crowd.

Day 3 -Better Than You Even Hoped

My Sets: First Aid Kit, Santigold, Fitz & the Tantrums, Wild Flag, The Hives, Girl Talk, Florence & the Machine, Dr. Dre & Snoop Dogg

Main stage on Sunday night

Dr. Dre and Snoop Dogg did, indeed, rip shit up.

 Set of the Day: “CPT, LBC, yea we hookin’ back up” Unquestionably, there were high hopes for the reunion of Dr. Dre and Snoop Dogg at Coachella. Personally, “The Chronic” was one of the key soundtracks to my college years, so of course I wanted an amazing show. But to say they lived up to those hopes would fall short. An unbelievable 75 minutes that featured a bevy of SoCal hip-hop greatest hits; cameos by Wiz Khalifa, Warren G., Kendrick Lamar, 50 Cent and Eminem; and the much-discussed Tupac “hologram” – what more could you ask for?

Snoop & Dre on Sunday night

The crowd for the Dre & Snoop show was alive.

The opener, “The Next Episode,” is a personal favorite and threw tens of thousands of fans – from age 15 to 50 – into a tizzy that never stopped throughout the set. (Of course, the classic “Gin & Juice” a couple of songs later had much the same effect.) I think the look on Wiz Khalifa’s face throughout his performance of “Young, Wild & Free” with Snoop probably spoke for all of us there – he was stunned at the size of it all and enjoying the hell out of the moment (with a spliff the size of a Cuban).

Set of the Day, ‘Fuck You’ Division:The Hives’ late afternoon takeover of the main stage was awesome. The garage rockin’ Swedes, led by the indomitable personality of Howlin’ Pelle Almqvist, exploded on stage in top hats and tails and rocked through 10 ripping tunes, including a few debuts from their upcoming album. While the music was great, the expected bombast from Almqvist between (and during) songs may have been even more entertaining. A couple samples:

Main stage on Sunday afternoon

The Hives rocked the faces off the Coachella crowd on Sunday.

In all, The Hives may have put on the most entertaining 50 minutes during the entire weekend.

Speaking of Sweden: The first (and mellowest set of the day) was by Stockholm’s latest import, First Aid Kit. The Soderberg sisters’ folky set included the gorgeous song “Emmylou,”which they basically dedicated to every classic country artist they could think up. On the event’s warmest afternoon, First Aid Kit was the perfect soundtrack to lay on the grass in the sun outside the Mojave tent and just ease your way into the day.

DJ area water blasters!

Sunday was the warmest day of Weekend 1, making the DJ area water soakers popular.

The Uber Mash-Up Artist: I probably can’t put this any better here and now than I did in my Tweet from the moment it was happening: “And now, Girl Talk will play every song you’ve ever loved all at once, and make it awesome. #coachizzle” The DJ led a fantastic Sunday night dance party at the Outdoor stage, mixing and matching everything from the Isley Brothers’ “Shout” to Eminem – and just about everything in between.  The crowd only stopped dancing long enough to celebrate a number of “Oh my god, it’s THAT song!” moments. Between The Hives, this set and Dre & Snoop, the latter part of Sunday was one hell of a fun time.

Outdoor stage on Sunday night

The Girl Talk set on Sunday night was one big dance party.

The Rest: On the main stage, both Santigold and Fitz & the Tantrums provided entertaining diversions on Sunday afternoon. Both were excellent and generally unchallenging soundtracks for hanging out in the Beer Gardens (especially the one between the Main and Outdoor stages since they broke the Heineken stranglehold there by offering Newcastle) and enjoying the sun. Wild Flag rocked as you’d expect a “supergroup” of 90s-era chick-rockers might, while the stage presence of leader Florence Welch was the most mesmerizing thing about the set by her popular Florence & the Machine. To be honest, there was so much BIG about the best parts of Sunday, most of the rest (while good and enjoyable and all that) just kind of fades into the background.

Based on reports, it seemed that weather was just about the only difference between weekends one and two of the new Coachella. Well, that and the report that The Black Keys welcomed John Fogerty on stage to help with a tribute to the recently deceased Levon Helm (that would have been great to see). However, the more I look back, the more I realize that any person’s experience of Coachella is wholly personal. Yes, the communal experience when seeing specific acts is amazing, but the reality is that there’s so much music and so much activity that your enjoyment of the event is wholly on your shoulders. If you don’t pressure yourself too much (“Oh god, I have to see this band because X and X and X said so, but they’re at the same time as one of my favorites!?!”) and follow your own personal mood through the day, you’ll likely find what’s right for you and have an incredible time. I can’t wait for 2013!